![]() ![]() ![]() Others have argued over the first 'profanity' spoken in a movie, with Hell's Angels being the most likely candidate (considering the amount of times 'damn' and 'son-of-a-bitch' is apparently uttered during dogfight sequences). Ulysses however, was released in June of that year as opposed to the December opening of I'll Never Forget What's'isname, making Ulysses the winner. However, both Ulysses and I'll Never Forget What's'isname used it beforehand, both also being released in 1967. The first film made for the Kinetoscope, and apparently the first motion picture ever produced on photographic film in the United States, may have been shot at this time (there is an unresolved debate over whether it was made in June 1889 or November 1890) known as Monkeyshines, No. That being said, the climax of The Graduate (1967) features a scene in which Ben Braddock can be seen (but not heard) shouting "What the fuck are you doing?" to Elaine as she stands at the alter, as he is behind glass. ![]() It was actually only the first Hollywood film to do so. Imax's first feature, The Polar Express, presages the latest 3D wave: since then we've seen Journey to the Center of the Earth, My Bloody Valentine 3D, Coraline, and, in December, Avatar.Most sources claim Robert Altmans MA SH* contained the first 'Fuck' in a major motion picture, it was already the first for other things (first use of sound bridging!) so it's happy to push boundaries. ![]() The skewering of one character, whose extruded heart dangles horribly close to the 3D viewer's eye, is a particular highlight of the film.ġ979-85 Thanks to the technological run-off from suddenly superfluous military/industrial/space research, all manner of sequels, remakes, rip-offs and low-brow entertainment staples benefit from the technological improvement of the 3D format (Friday the 13th Part III in 3D, Jaws 3D, Amityville 3D), but the technique remains disreputable.Ģ003 James Cameron's Ghosts of the Abyss, a 3D documentary tour of the Titanic wreckage, lays the foundation for the technology he will need to make Avatar.Ģ004 Insane Clown Posse's short film for DVD album track Bowling Balls is the first high-definition 3D short. As TV menaces the studios (lately forced by the US Supreme Court to sell their cinemas), they push all kinds of new formats such as Cinerama, CinemaScope, Technicolor and VistaVision.ġ973 Andy Warhol and Paul Morrissey revive the now seemingly obsolete format for Flesh For Frankenstein, in the short-lived Stereovision format. 1920 The Power of Love (a movie now lost), using a system developed by cinematographer Robert F Elder, is the first 3D movie screened for a commercial audience, in Los Angeles.ġ922 Using two projectors synchronised with stereo headsets, Laurens Hammond and William Cassidy present a series of shorts plus one feature, The Man From MARS, but it played only at the sole cinema equipped to project it.ġ923 Frederick Eugene Ives, patenter of the Parallax Stereogram (1900), and inventor Joseph Levanthal present several 3D/stereoscopic shorts for Pathe Films.ġ936 MGM's Audioscopics, developed by Joseph Leventhal and John Norling, wins the Best Short Subject (Novelty) Academy Award.ġ952-55 The first boom period in 3D cinema, led by Bwana Devil, Andre de Toth's House of Wax (the first of four 3D movies to star the determinedly one-dimensional Vincent Price, the Olivier of the form), and Dial M for Murder (filmed 3D, released "flat"). ![]()
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